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February 12, 2016 Becton, Dickinson and Company Mr. Pasquale ...
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He maintained a taxing performance schedule at the Met until he left the company in 1921, appearing in a number of operatic works that he had not undertaken before. Amato had an affinity with America and, in 1935, he was made Head of Studies in voice and opera at the , where in 1939 he was initiated as an honorary member of the Beta Omega Chapter of Amato in his prime possessed a superb high baritone voice of wide compass. His voice had matured by now into a top-class instrument and he was praised for his versatility and artistic integrity.

He is known to have made just one electrical recording—a "Neapolitan Song" produced by the company in 1927. In 1913 he was accorded the honour of taking part in the Verdi centenary commemoration at the with Toscanini conducting. Although it was not quite so opulent as the vocal instrument possessed by his famous contemporary Titta Ruffo, it was still wonderfully resonant and secure, with plenty of carrying power and flexibility. According to , it had a ringing and a unique vibrant tone that could not be confused with that produced by any other baritone. Amato enjoyed an international reputation but attained the peak of his fame in New York City, where he sang with the and Vincenzo Lombardo (who also gave singing lessons to the great Neapolitan tenor and Rome.



Pasquale Amato - Wikipedia
Pasquale Amato (21 March 1878 – 12 August 1942) was an Italian operatic baritone. Amato enjoyed an international reputation but attained the peak of his fame in New York City, where he sang with the Metropolitan Opera from 1908 until 1921. pasquale amato tenoretic generic name My Nucleus CMS » Welcome to Nucleus CMS v3.7... new generic name for viagra The Johnnies are in the field for the Barclays Center Classic ... amant_pour_la_vie.pdf la mariée de bride mountain ; un amant pour la vie pdf, 770, http ... nobelova cena vitamin c It wasn't immediately clear whether Pasq

His 1914 Victor recording of "Eri tu" (from ), for example, is considered by many critics to be the finest version ever committed to disc. In 1910, for example, he sang in Gluck's. Other important operatic roles which Amato sang in Italy prior to World War I included Amonasro in Amato repeated some of these roles at the Metropolitan Opera, where Toscanini had gone to conduct and where Amato made his debut in 1908.

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  • Recent Updates

    03.10.2017

    Prior to his contract with Victor, Amato had made a series of discs in Italy for , which included operatic arias and a remarkably intimate "A Sirena" (a Neapolitan song). According to , it had a ringing and a unique vibrant tone that could not be confused with that produced by any other baritone.

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    21.08.2017

    He retired to Italy during the 1920s, to relax and recuperate, but in 1933, 25 years after his American debut, he appeared there again at the , singing the role of Germont père. Other important operatic roles which Amato sang in Italy prior to World War I included Amonasro in Amato repeated some of these roles at the Metropolitan Opera, where Toscanini had gone to conduct and where Amato made his debut in 1908.

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    20.12.2017

    Over the next few years he sang in Monte Carlo, Germany, parts of eastern Europe and Argentina.

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    17.10.2017

    Prior to his contract with Victor, Amato had made a series of discs in Italy for , which included operatic arias and a remarkably intimate "A Sirena" (a Neapolitan song).

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    11.12.2017

    He is known to have made just one electrical recording—a "Neapolitan Song" produced by the company in 1927. His voice had matured by now into a top-class instrument and he was praised for his versatility and artistic integrity.

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    02.10.2017

    He is known to have made just one electrical recording—a "Neapolitan Song" produced by the company in 1927. Later, in 1924, he made an obscure (and poorly recorded) group of discs for the Homophone company.

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